Motorcycles and movies; it’s a perfect combination. Bikes have been featured in films since the teens of last century, used as compelling characters or dynamic plot shifters. Today, we’re in the middle of a moto-movie renaissance. It seems every custom shop has an in-house filmmaker, and every cool bike event is swarmed with filmies. Today’s rising tide of moto-mania has spurred bike factories to collaborate with rising garage artists, and inspired professional filmmakers to produce two-wheel feature films. The Motorcycle Film Festival opened its doors in 2013, and from that first event in September in Brooklyn, it was clearly a hit. Screenings were at capacity from the get-go. With only three month’s notice to the world, 35 films were submitted; Why We Ride made its debut, and three other features and 12 short films were also screened. In 2014, MFF screenings in Brooklyn were totally sold out, standing-room-only full. Seventy films were submitted from every continent but Antarctica. On Any Sunday: The Next Chapter made its premiere, and Best of Fest winner Daniel Rintz, who directed the amazing travel diary Somewhere Else Tomorrow, was awarded $2,000 and a Honda to make the MFF trailer for 2015. The judging ranks in 2014 swelled to include “Art of the Motorcycle” curator Ultain Guilfoyle, plus film directors Peter Starr, Amos Poe, and Eric Ristau (the 2013 Best of Fest winner for Best Bar in America), custom bike legends Shinya Kimura, Roland Sands, and Paul Cox, the Selvedge Yard’s JP, and others.
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